All Wolfgang Heimbach Oil Paintings

c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640
 

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Wolfgang Heimbach Nocturnal banquet oil on canvas


Nocturnal banquet
Nocturnal banquet
Painting ID::  39713
  mk150 1640 62x114cm
  mk150 1640 62x114cm

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Wolfgang Heimbach Portrait of Ulrik Frederik Gyldenlove, Count of Laurvig oil on canvas


Portrait of Ulrik Frederik Gyldenlove, Count of Laurvig
Portrait of Ulrik Frederik Gyldenlove, Count of Laurvig
Painting ID::  81953
  Date 1600s Medium Oil cjr
  Date 1600s Medium Oil cjr

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Wolfgang Heimbach Der Kranke oil on canvas


Der Kranke
Der Kranke
Painting ID::  82794
  1669 Medium Oil on copper Dimensions Deutsch: 24 x 19 cm (Oval) cyf
  1669 Medium Oil on copper Dimensions Deutsch: 24 x 19 cm (Oval) cyf

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     Wolfgang Heimbach
     c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640

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